jose Madrazo Y Agudo
Spanish Neoclassical Painter, 1781-1859
was a Spanish painter of the Neoclassic period. Born in Santander. Studied in Madrid with Cosme de Acuna and Gregorio Ferro, both rectors of the Academia de San Fernando at the beginning of the 19th century. Don Fernando La Serna, who was named ambassador to France at the time, brought Madrazo to Paris, where he entered the studio of Jacques-Louis David. There, under royal patronage from King Carlos IV, he executed a painting of the Death of Lucretia and other canvases on events from classic Greco-Roman history. He moved to Rome during Napoleonic times, where he was briefly jailed for failing to complete oaths of loyalty to the newly installed Napoleon II of France as King of Rome. In Rome, he was admitted to the Accademia di San Luca. King Carlos IV named him pintor de camara (painter of the chamber), a position confirmed by King Ferdinand VII. Related Paintings of jose Madrazo Y Agudo :. | Marion, die Tochter des Kunstlers | The Golden Age thtre | The Town of Fluelen,Switzerland (mk37) | Amy doctors | Greeting the Sun | Related Artists: PoussinLes Andelys 1594 - Rome 1665 Justus Suttermans(b Antwerp, bapt 28 Sept 1597; d Florence, 24 April 1681).
Flemish painter
Flemish painter,He is chiefly notable for his portraits of members of the Medici family as he was his court painter. His work can be found in both the Palatina Gallery and the Uffizi Gallery in Florence, and in many other galleries around the globe. During his lifetime he was feted as the finest portrait painter in Italy. He studied early on in Flanders and Antwerp, possibly with artists such as Villem de Vos, a nephew of the painter Marten de Vos and also Frans Pourbus the younger. He was eventually invited to Florence under the patronage of the Medici Family where he studied Italian portraitists such as Il Guercino, the Spanish Diego Velazquez and France's Pierre Mignard. HEYDEN, Jan van derDutch Baroque Era Painter, 1637-1712
Dutch painter, draughtsman, printmaker and inventor. In 1650 he moved to Amsterdam with his family; his father, a Mennonite, who had pursued various occupations rather unsuccessfully, died that year. Jan's artistic training may have begun with drawing lessons in the studio of a relative, perhaps his eldest brother, Goris van der Heyden, who made and sold mirrors; Jan may also have studied the reverse technique of glass painting with an artist in Gorinchem. Painting occupied relatively little of his time, however, although he continued to pursue it throughout his long life. His prosperity was mainly due to his work as an inventor, engineer and municipal official. He designed and implemented a comprehensive street-lighting scheme for Amsterdam, which lasted from 1669 until 1840 and was adopted as a model by many other towns in the Netherlands and abroad. In 1672,
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